1 00:00:47,480 --> 00:00:49,080 Here is my studio. 2 00:00:50,800 --> 00:00:54,280 I also record here. When I want to study, 3 00:00:55,080 --> 00:00:57,720 this is like... 4 00:00:59,440 --> 00:01:03,360 Like a notepad. If you want a beat... 5 00:01:04,360 --> 00:01:08,400 I click it. I decide to pace myself. 6 00:01:09,960 --> 00:01:12,160 Let's put the battery in. 7 00:01:16,160 --> 00:01:17,880 The bass. 8 00:01:29,160 --> 00:01:32,880 Here it is. Is it too funky? Okay. 9 00:01:34,440 --> 00:01:35,960 Here it is! 10 00:01:57,680 --> 00:02:02,480 It's my first period, the funk period. 11 00:02:04,240 --> 00:02:06,280 Massive! 12 00:02:17,320 --> 00:02:20,160 Put on music. 13 00:02:24,400 --> 00:02:27,760 My day always starts with Maestro Pergolesi. 14 00:02:28,800 --> 00:02:32,120 - Of course! - Maestro Pergolesi is important. 15 00:02:35,720 --> 00:02:38,200 Turn it up a little. 16 00:02:38,280 --> 00:02:40,560 Not much, it's good. 17 00:02:40,640 --> 00:02:45,120 A little more, more... that's it, stop! 18 00:03:52,880 --> 00:03:54,680 Enzo, this way. 19 00:04:05,040 --> 00:04:07,640 - Come on, Vincenzo. - It's not an easy ride. 20 00:04:09,160 --> 00:04:13,080 Guys, he's there, with the camera. 21 00:04:13,160 --> 00:04:14,720 Jonathan has already arrived. 22 00:04:24,320 --> 00:04:25,440 Hello, nice to see you. 23 00:04:25,520 --> 00:04:27,720 - Enzo, darling. - How are you? 24 00:04:29,800 --> 00:04:32,080 How are you? 25 00:04:35,440 --> 00:04:37,680 Enzo. 26 00:05:04,080 --> 00:05:07,240 It's a very simple piece, only with two chords. 27 00:05:07,320 --> 00:05:10,760 Talk about the children of the world. 28 00:05:10,840 --> 00:05:14,200 He alternates my piece with free singing 29 00:05:14,280 --> 00:05:19,200 that can be linked to my handwriting or something he wants to say. 30 00:05:19,880 --> 00:05:24,480 Children are all the same No one is anyone's son 31 00:05:24,560 --> 00:05:26,080 They are all born of love 32 00:05:26,160 --> 00:05:28,600 We know how we were born But not how we die 33 00:05:28,680 --> 00:05:32,800 Children are all the same No one is anyone's son 34 00:05:32,880 --> 00:05:35,680 Nobody... 35 00:05:52,600 --> 00:05:55,600 Soil. 36 00:06:18,680 --> 00:06:20,320 The ending. 37 00:06:20,400 --> 00:06:22,840 One, two, three, four. 38 00:06:30,520 --> 00:06:32,120 Two repetitions. 39 00:06:32,200 --> 00:06:34,480 We are ready. 40 00:06:34,560 --> 00:06:38,720 Let's look at each other. Conductor! 41 00:07:00,080 --> 00:07:02,440 They live underground in Bucharest 42 00:07:02,520 --> 00:07:04,440 They smell like package glue 43 00:07:04,520 --> 00:07:06,680 While on the walls of Baghdad 44 00:07:06,760 --> 00:07:08,960 Children's eyes are drawn 45 00:07:09,040 --> 00:07:11,480 The boys from the favelas They're all shredded 46 00:07:11,560 --> 00:07:13,680 Tangled stars And trampled moons 47 00:07:13,760 --> 00:07:15,960 Black tufts of African mothers 48 00:07:16,040 --> 00:07:18,200 Dirty and hungry You'll never see tomorrow 49 00:07:18,880 --> 00:07:23,400 Children are all the same No one is anyone's son 50 00:07:23,480 --> 00:07:25,200 They are all born of love 51 00:07:25,280 --> 00:07:27,960 We know how we were born But not how we die 52 00:07:28,040 --> 00:07:32,120 Children are all the same No one is anyone's son 53 00:07:32,200 --> 00:07:33,680 Nobody 54 00:08:32,320 --> 00:08:34,560 He is an Albanian son Born at sea 55 00:08:34,640 --> 00:08:36,880 Be careful or the sharks will eat you 56 00:08:36,960 --> 00:08:38,960 With snot in the nose And a shotgun in his hand 57 00:08:39,040 --> 00:08:41,440 It must be a man Whether it is Serbian or Afghan 58 00:08:41,520 --> 00:08:43,800 In Kurdistan they never change clothes 59 00:08:43,880 --> 00:08:45,920 In Haiti they take food out of the trash bin 60 00:08:46,000 --> 00:08:48,400 Flowers with almond eyes Scattered on the road 61 00:08:48,480 --> 00:08:50,640 They pay to the east By strange fantasies 62 00:08:50,720 --> 00:08:55,600 Children are all the same No one is anyone's son 63 00:08:55,680 --> 00:08:57,440 They are all born of love 64 00:08:57,520 --> 00:09:00,240 We know how we were born But not how we die 65 00:09:00,320 --> 00:09:04,560 Children are all the same No one is anyone's son 66 00:09:04,640 --> 00:09:06,800 Nobody... 67 00:10:32,320 --> 00:10:37,000 If everything were true Naked ideas and empty words 68 00:10:37,080 --> 00:10:39,120 If everything were raw 69 00:10:39,200 --> 00:10:41,360 In fact I've been in a bad mood since yesterday 70 00:10:41,440 --> 00:10:42,920 If it was always everything 71 00:10:43,000 --> 00:10:46,160 People with no heart Who don't look inside 72 00:10:46,240 --> 00:10:47,680 If I were all over again 73 00:10:47,760 --> 00:10:49,800 water in hands When the sun sets 74 00:10:51,040 --> 00:10:53,000 Children are all the same 75 00:10:53,080 --> 00:10:55,080 No one is anyone's son 76 00:10:55,720 --> 00:10:57,560 They are all born of love 77 00:10:57,640 --> 00:11:00,160 We know how we were born But not how we die 78 00:11:00,240 --> 00:11:02,120 Children are all the same 79 00:11:02,200 --> 00:11:04,120 No one is anyone's son 80 00:11:04,640 --> 00:11:07,080 Nobody... 81 00:11:16,280 --> 00:11:19,280 This is where I keep the secret 82 00:11:19,360 --> 00:11:23,800 of my life, which is this song I composed. 83 00:11:28,480 --> 00:11:31,520 It's a pleasure to show it to you today. 84 00:11:31,600 --> 00:11:34,760 Let's use the bed. 85 00:11:34,840 --> 00:11:37,480 There are around 300 works composed 86 00:11:37,560 --> 00:11:39,240 that I will never hear. 87 00:11:39,320 --> 00:11:41,360 Let's get this out in the open. 88 00:11:41,440 --> 00:11:45,520 This, for example, It's a fantasy for two bassoons. 89 00:11:45,600 --> 00:11:48,120 This is a piece just for a violin, "Diversity". 90 00:11:48,200 --> 00:11:53,240 is dedicated to European hip-hop that flows in cultural exchange. 91 00:11:53,320 --> 00:11:55,880 This is a show for obo and guitar. 92 00:11:55,960 --> 00:11:58,600 Concerts for flute and orchestra... 93 00:11:58,680 --> 00:12:01,480 There is music for all instruments, 94 00:12:01,560 --> 00:12:03,880 for all types of training, 95 00:12:03,960 --> 00:12:06,760 chamber music... 96 00:12:06,840 --> 00:12:09,960 I got lost in this river of music. 97 00:12:11,160 --> 00:12:14,480 For many years, I couldn't see. 98 00:12:14,560 --> 00:12:18,040 I had two cornea transplants because I lost my sight 99 00:12:18,600 --> 00:12:19,840 and I stopped being able to compose. 100 00:12:20,400 --> 00:12:25,360 When I got the light back that lets us see things, 101 00:12:25,440 --> 00:12:28,640 I started composing again 102 00:12:28,720 --> 00:12:32,880 and I fell in love by this computer program. 103 00:12:32,960 --> 00:12:36,000 I created a file 104 00:12:36,080 --> 00:12:38,080 with all my music. 105 00:12:38,880 --> 00:12:41,800 In total, it has 600 tracks, 106 00:12:41,880 --> 00:12:44,480 of which at least 300 are unpublished. 107 00:12:44,560 --> 00:12:47,920 I love it when I open the score of a work, 108 00:12:48,000 --> 00:12:50,680 for example, "Exeredati Mundi", 109 00:12:51,240 --> 00:12:54,920 and it's all here, the whole orchestra. 110 00:12:55,000 --> 00:12:58,080 I will increase. Violins, timbales, everything. 111 00:12:58,160 --> 00:13:00,080 So, I thought: 112 00:13:00,960 --> 00:13:05,120 why not take this requiem 113 00:13:05,200 --> 00:13:08,000 by Cruz Stations, 114 00:13:08,080 --> 00:13:11,080 the 15 stations... Excuse me. 115 00:13:11,160 --> 00:13:13,560 Don't make so much noise! 116 00:13:14,280 --> 00:13:18,200 This season, number five, 117 00:13:18,280 --> 00:13:21,000 "Simon of Cyrene helps Jesus", 118 00:13:21,080 --> 00:13:26,200 the boys of Castel Volturno die, are massacred. 119 00:13:26,280 --> 00:13:29,240 Imagine that and listen to this song. 120 00:13:29,320 --> 00:13:32,520 Here are the flutes. 121 00:13:32,600 --> 00:13:35,440 It's fabulous! 122 00:13:37,280 --> 00:13:39,480 And we conduct our own orchestra. 123 00:13:39,560 --> 00:13:42,880 We listen to what we compose. 124 00:13:45,280 --> 00:13:48,040 Are you bored? Do you want me to stop? 125 00:13:49,280 --> 00:13:51,880 It's beautiful. Piccolo! 126 00:13:53,080 --> 00:13:54,120 It's beautiful. 127 00:13:54,840 --> 00:13:57,920 We have an orchestra at home. 128 00:14:06,520 --> 00:14:07,680 Listen, it's beautiful. 129 00:14:15,480 --> 00:14:18,680 It's like this... 130 00:14:20,960 --> 00:14:24,680 In a far away African country, crossing seas and mountains, 131 00:14:24,760 --> 00:14:28,440 in search of freedom among the rocks, to escape endless slavery. 132 00:14:28,520 --> 00:14:32,040 They leave home and family to build a future. 133 00:14:32,120 --> 00:14:35,720 Who would have thought he would end up like this? 134 00:14:36,760 --> 00:14:40,200 Black drums, one, two, three, four, five, six... 135 00:14:40,280 --> 00:14:43,000 In Domiziana, in tomato groves and dirt roads. 136 00:14:43,080 --> 00:14:46,280 But this is our faith It is hope that approaches. 137 00:14:46,360 --> 00:14:50,200 This pain is red like blood on the road of life. 138 00:14:52,240 --> 00:14:55,880 Facing bombs and guns, muscles of iron and a heart of war. 139 00:14:55,960 --> 00:14:59,640 Animals entrenched without den, wind and reeds in this swamp. 140 00:14:59,720 --> 00:15:02,560 And between refused visas and rights denied, 141 00:15:02,640 --> 00:15:04,760 another day passes. 142 00:15:04,840 --> 00:15:09,240 And between one black man and another, in a cold room... 143 00:15:22,280 --> 00:15:25,280 Thirty clanks and a bell. 144 00:15:42,960 --> 00:15:44,280 A bell. 145 00:15:50,640 --> 00:15:54,360 Black drums, one, two, three, four, five, six... 146 00:15:55,040 --> 00:15:58,360 In Domiziana, in tomato groves and dirt roads. 147 00:15:58,440 --> 00:16:02,040 But this faith of ours It is hope that approaches. 148 00:16:02,120 --> 00:16:05,720 This pain is red like blood on the road of life. 149 00:16:10,560 --> 00:16:12,960 And another Martin Luther King. 150 00:16:14,160 --> 00:16:15,880 And another peace march. 151 00:16:19,280 --> 00:16:21,520 I have a dream 152 00:16:22,800 --> 00:16:24,520 Today, I have a dream 153 00:16:26,040 --> 00:16:28,080 I have a dream 154 00:16:29,440 --> 00:16:31,280 I had this dream today 155 00:16:32,480 --> 00:16:35,520 Everyone feels sad 156 00:16:36,120 --> 00:16:38,080 Everyone feels the same 157 00:16:38,160 --> 00:16:41,480 Today, I have a dream 158 00:16:42,880 --> 00:16:46,000 In Neapolitan we say... 159 00:16:48,280 --> 00:16:50,160 I have a dream 160 00:16:52,360 --> 00:16:54,360 I have a dream 161 00:16:56,240 --> 00:16:58,120 I have a dream 162 00:17:00,560 --> 00:17:05,240 In my soul, I have a dream 163 00:17:17,440 --> 00:17:21,120 There are many musicians within a musician. 164 00:17:21,200 --> 00:17:24,960 With Bottari, a concert ends which is a popular ritual 165 00:17:25,040 --> 00:17:27,840 carried out among the people, 166 00:17:27,920 --> 00:17:31,240 and when we got home, we become another musician 167 00:17:31,320 --> 00:17:35,880 because we enter the score, 168 00:17:36,800 --> 00:17:38,320 and it's something completely different. 169 00:17:38,400 --> 00:17:44,120 Sometimes I ask myself, "Who am I?" 170 00:18:27,400 --> 00:18:31,520 Moon, moon Drunk on bad wine 171 00:18:31,600 --> 00:18:35,520 Moon, moon Drunk on bad wine 172 00:18:35,600 --> 00:18:37,400 Open it, it's good for you 173 00:18:37,480 --> 00:18:39,400 Open it, it's good for you 174 00:18:39,480 --> 00:18:41,480 Open it, it's good for you 175 00:18:41,560 --> 00:18:43,520 Open it, it's good for you 176 00:18:43,600 --> 00:18:45,520 An ancient dance 177 00:18:45,600 --> 00:18:47,360 From the history of stories 178 00:18:47,440 --> 00:18:49,880 From the history of stories 179 00:18:52,040 --> 00:18:53,800 Open it, it's good for you 180 00:18:53,880 --> 00:18:55,640 Open it, it's good for you 181 00:19:47,640 --> 00:19:50,360 These two works are special to me. 182 00:19:50,440 --> 00:19:52,760 All scales in the world, 183 00:19:52,840 --> 00:19:56,840 musical modalities of the people of the planet. 184 00:19:56,920 --> 00:20:02,120 I decided to develop these scales, all the scales that exist, 185 00:20:02,200 --> 00:20:06,760 the Arabic Maqam, the Arabesque scale, the Bachian scale, Bantu... 186 00:20:06,840 --> 00:20:11,240 The rare scales that had never been developed. 187 00:20:11,800 --> 00:20:16,920 Now they can be played on any instrument. 188 00:21:24,040 --> 00:21:26,960 I would like to do the same with rhythms from around the world. 189 00:21:27,040 --> 00:21:31,000 I liked that about the rhythms of the feet. 190 00:21:31,560 --> 00:21:36,880 The rhythms of the feet of Sudan, from Nigeria, from Tanzania. 191 00:21:37,360 --> 00:21:39,480 The original rhythm, from the feet... 192 00:21:39,560 --> 00:21:43,120 Foot rhythm means which does not have a superstructure, 193 00:21:43,200 --> 00:21:45,640 as the Greeks said, a rhythm... 194 00:23:33,680 --> 00:23:37,440 People outside, it's raining I feel lost, it's been raining for 15 minutes 195 00:23:37,520 --> 00:23:41,560 I have an idea to share This idea of living 196 00:23:41,640 --> 00:23:45,360 I miss home My heart is a hedgehog in the street 197 00:23:45,440 --> 00:23:49,760 If God weren't here, I wouldn't be here And if you weren't here, I wouldn't be 198 00:23:49,840 --> 00:23:53,600 Open it, it's good for you 199 00:24:44,680 --> 00:24:46,800 Here is my whole life. 200 00:24:47,680 --> 00:24:49,800 Here is the great Maceo Parker, 201 00:24:49,880 --> 00:24:52,440 a great musician, saxophonist. 202 00:24:52,520 --> 00:24:55,880 Then there is Cessaria �vora, a great meeting. 203 00:24:55,960 --> 00:24:59,480 Randy Crawford, Manu Dibango... 204 00:24:59,560 --> 00:25:04,320 Afrika Bambaataa. The first time I went to New York for a show at the Apollo. 205 00:25:04,960 --> 00:25:08,240 I was with him in the Bronx 206 00:25:08,320 --> 00:25:11,120 for one of the first music videos in 1980. 207 00:25:11,200 --> 00:25:16,000 This photo is from an awards gala with Tina in Riva del Garda. 208 00:25:16,640 --> 00:25:18,400 It was a beautiful experience, 209 00:25:18,480 --> 00:25:23,080 That's when I met the Buddhism of Nichiren Daishonin. 210 00:25:23,160 --> 00:25:25,680 Because, initially, 211 00:25:26,200 --> 00:25:28,560 I was Catholic, 212 00:25:29,320 --> 00:25:32,920 then I became a Buddhist, I converted. 213 00:25:33,000 --> 00:25:36,680 On my second trip to America, I went to San Francisco. 214 00:25:36,760 --> 00:25:40,800 I met Sri Chinmoy, a guru, a spiritual master, 215 00:25:40,880 --> 00:25:45,080 who taught me meditation, another type of research. 216 00:25:47,160 --> 00:25:50,200 But later, 217 00:25:51,280 --> 00:25:55,600 when Mary passed away, 218 00:25:55,680 --> 00:25:58,800 I was very shaken 219 00:25:58,880 --> 00:26:03,200 and I stopped this investigation, 220 00:26:03,280 --> 00:26:06,080 So I returned to Christianity. 221 00:26:06,160 --> 00:26:09,120 However, It was a type of Christianity of mine. 222 00:26:09,200 --> 00:26:14,640 Angela was going to graduate tomorrow, on the 16th. 223 00:26:14,720 --> 00:26:19,320 And I said "no". Connie is a researcher. 224 00:26:21,280 --> 00:26:25,800 Tell them you published a very important article. 225 00:26:25,880 --> 00:26:28,680 An article in a scientific journal. 226 00:26:28,760 --> 00:26:32,280 She has a degree in Chemistry and is a researcher. 227 00:26:32,360 --> 00:26:37,480 He is our reference and our guide. Despite our differences, 228 00:26:38,200 --> 00:26:42,400 We know that you will always be by our side, just as we will be of his. 229 00:26:42,480 --> 00:26:44,600 We are very united. 230 00:26:44,680 --> 00:26:47,480 For me, he is a very special person. 231 00:26:48,880 --> 00:26:53,760 He is like a father to me, always encouraged me. 232 00:26:53,840 --> 00:26:58,600 So I want to thank you for everything you did for me. 233 00:26:58,680 --> 00:27:00,960 - Thank you, Enzo. - Thanks. 234 00:27:01,040 --> 00:27:03,120 Murad is from Morocco, 235 00:27:03,200 --> 00:27:07,040 He's Angela's boyfriend. He lives in Turin with his family. 236 00:27:07,120 --> 00:27:09,880 He is an important person to me. Gave me this 237 00:27:09,960 --> 00:27:12,440 and I have a lot of appreciation for this, 238 00:27:12,520 --> 00:27:15,840 It's a special gift. His mother brought her from Mecca. 239 00:27:16,480 --> 00:27:18,360 Rosario is Connie's husband. 240 00:27:18,440 --> 00:27:22,600 is a special person, an extraordinary man. 241 00:27:23,960 --> 00:27:27,280 In addition to being a father, he is also a friend. 242 00:27:27,360 --> 00:27:31,840 He has always been by our side, always trying to balance everything. 243 00:27:31,920 --> 00:27:36,240 Even when he was away for long periods, 244 00:27:36,320 --> 00:27:38,720 was always present. 245 00:27:39,360 --> 00:27:41,680 He is everything to me. 246 00:27:41,760 --> 00:27:43,960 For me and my sister, he is everything. 247 00:27:44,040 --> 00:27:46,240 I love him immensely. 248 00:28:11,000 --> 00:28:13,680 What are you doing, bro? 249 00:28:13,760 --> 00:28:15,480 My back. 250 00:28:20,680 --> 00:28:23,840 Tell me, what can we do? 251 00:28:23,920 --> 00:28:25,280 You're right. 252 00:28:25,360 --> 00:28:28,440 On this journey through life, 253 00:28:28,520 --> 00:28:32,560 some sing, others play, others run around... What do we do? 254 00:28:33,240 --> 00:28:35,440 - My name is Aldo. - Enzo. 255 00:28:35,520 --> 00:28:39,120 I admire you, you are a musician spectacular avant-garde. 256 00:28:39,200 --> 00:28:41,320 - Thanks. - All the best. 257 00:28:41,400 --> 00:28:45,120 - Go back to your things. - Have a good day. 258 00:29:02,720 --> 00:29:05,200 It's a constant challenge. 259 00:29:05,280 --> 00:29:09,400 This is not the usual classical instruments, 260 00:29:09,480 --> 00:29:12,200 with hundreds of examples 261 00:29:12,280 --> 00:29:13,960 and a long history 262 00:29:14,040 --> 00:29:18,160 that help us understand how should we record them. 263 00:29:18,240 --> 00:29:20,480 The instruments we recorded here 264 00:29:20,560 --> 00:29:23,280 are rarely seen. 265 00:29:23,360 --> 00:29:27,760 So, we ask ourselves: "Will I be able to capture the essence of that sound?" 266 00:29:27,840 --> 00:29:31,000 I will be able to make this energy 267 00:29:31,080 --> 00:29:33,840 and this emotion be transmitted? 268 00:29:33,920 --> 00:29:36,760 If you put the microphone in the wrong place, 269 00:29:36,840 --> 00:29:38,240 you lose that emotion. 270 00:29:38,320 --> 00:29:39,880 There is only one right place 271 00:29:39,960 --> 00:29:42,880 and we have to find it in a few seconds. 272 00:30:02,480 --> 00:30:07,880 Tomorrow's winds Echo of voices, distant voices 273 00:30:09,960 --> 00:30:15,360 Immense treasures, immense secrets Winds of tomorrow 274 00:30:17,480 --> 00:30:22,400 High tide, low tide Winds of tomorrow 275 00:30:24,760 --> 00:30:29,760 Heads down and heads up Winds of tomorrow 276 00:30:32,080 --> 00:30:37,600 Ready to look for precious stones Lost forever 277 00:30:39,520 --> 00:30:44,520 Hidden among the clothes Winds of tomorrow 278 00:30:47,080 --> 00:30:51,480 Whispering past and future Winds of tomorrow 279 00:30:54,160 --> 00:30:58,480 launeddas has existed for more than 3000 years. 280 00:30:58,560 --> 00:31:02,960 It appears to be the first instrument polyphonic in the Mediterranean area. 281 00:31:03,560 --> 00:31:06,600 Always followed 282 00:31:06,680 --> 00:31:09,360 the Sardinians in their dances 283 00:31:09,440 --> 00:31:11,600 and in their religious rituals. 284 00:31:11,680 --> 00:31:15,040 This tradition persists, but not as it was. 285 00:31:15,120 --> 00:31:18,760 There are some groups that dance, but it is no longer the same. 286 00:31:18,840 --> 00:31:22,200 It was a ritual thing. 287 00:31:22,280 --> 00:31:26,280 They even danced inside the churches. 288 00:31:26,760 --> 00:31:29,960 But in 1600, a Spanish archbishop banned it. 289 00:31:30,040 --> 00:31:34,080 I didn't want dancing inside the churches, It's just outside, in front. 290 00:31:34,160 --> 00:31:36,600 It's a tradition we want to continue. 291 00:31:55,160 --> 00:31:58,520 Everything here has a story. 292 00:31:58,600 --> 00:32:02,680 Many of these North African flutes 293 00:32:02,760 --> 00:32:05,280 they were gifts from Murad. 294 00:32:08,120 --> 00:32:09,800 When I started playing, 295 00:32:09,880 --> 00:32:12,360 I was inspired by James Brown. 296 00:32:12,920 --> 00:32:14,800 I remember hearing... 297 00:32:15,560 --> 00:32:18,480 Now, I understand. I heard, for example... 298 00:32:20,040 --> 00:32:23,160 I want to enter your soul If I enter I will win 299 00:32:23,240 --> 00:32:26,720 We need soul Come and get it 300 00:32:26,800 --> 00:32:29,240 Then you'll know where I come from 301 00:32:29,320 --> 00:32:31,320 One man, they come and go 302 00:32:31,400 --> 00:32:33,440 But I remain attentive And my rap is strong 303 00:32:33,520 --> 00:32:35,960 Jump on my train When out of sight 304 00:32:36,040 --> 00:32:38,000 Concentrate and say Yes, you're right 305 00:32:38,080 --> 00:32:41,400 Love me gently, love me slowly If that doesn't work, come back for more 306 00:32:41,480 --> 00:32:42,760 Daddy doesn't take crap 307 00:32:43,720 --> 00:32:46,840 Daddy doesn't Daddy doesn't take crap 308 00:32:46,920 --> 00:32:49,640 I loved James Brown. 309 00:32:49,720 --> 00:32:51,920 After a while, I realized something. 310 00:32:52,000 --> 00:32:55,680 I felt attracted to music because I liked this. 311 00:32:55,760 --> 00:33:00,440 So, I asked myself what it would be the language of my origins. 312 00:33:00,520 --> 00:33:04,400 It was similar and moved in the same direction. 313 00:33:04,480 --> 00:33:08,560 He started with gospel, for the devotion of his people, 314 00:33:08,640 --> 00:33:11,560 which has clearly become a secular devotion. 315 00:33:11,640 --> 00:33:14,000 So, I thought... Where is the devotion of my people? 316 00:33:14,080 --> 00:33:16,640 Where do my people pray in a secular way? 317 00:33:16,720 --> 00:33:20,000 In ancient devotion. I use the same rhythm. 318 00:33:23,000 --> 00:33:26,200 Until then, he sang "stylistically", 319 00:33:26,280 --> 00:33:29,520 with a language he had learned. 320 00:33:29,600 --> 00:33:32,960 This rosary that I recited It was written in heaven and on earth 321 00:33:33,040 --> 00:33:36,520 May it reach the Virgin Mary And let them hand it over to him 322 00:33:36,600 --> 00:33:40,120 May she receive you with love Scandalize the sinner 323 00:33:40,200 --> 00:33:43,440 On my deathbed May I be happy and strong 324 00:33:43,520 --> 00:33:46,800 Save her and pray for me, Virgin 325 00:33:50,800 --> 00:33:52,520 Heal her for me 326 00:34:02,560 --> 00:34:05,120 Hail Mary, I'm from Scampia. 327 00:34:05,200 --> 00:34:09,480 Where there was cannabis, now there are syringes and cocaine on the streets. 328 00:34:10,080 --> 00:34:12,520 Exalted feelings, confusing days. 329 00:34:12,600 --> 00:34:15,000 Never a caress, hidden children of God. 330 00:34:16,680 --> 00:34:19,400 Santa Maria, there is nothing to understand. It's a deceptive world. 331 00:34:19,480 --> 00:34:22,360 The more you want, the more confused you become. 332 00:34:22,440 --> 00:34:24,960 They are desires, whims, smelly perfumes, 333 00:34:25,040 --> 00:34:28,120 under the sweat, a stagnant soul It makes a mud and a stench. 334 00:34:28,200 --> 00:34:30,680 The plague! 335 00:34:30,760 --> 00:34:33,160 Fear makes us wild 336 00:34:33,240 --> 00:34:37,320 and mother, father and brother they kill each other. 337 00:34:37,400 --> 00:34:40,200 But who wanted that? Who sent us the plague? 338 00:34:40,280 --> 00:34:42,880 You can't die young, give us the rest. 339 00:34:42,960 --> 00:34:46,040 We came and went and that was how it was. 340 00:34:46,120 --> 00:34:50,760 We are men and we cannot stand and we ask for Your help. 341 00:35:00,440 --> 00:35:05,360 Our Black Lady 342 00:35:05,440 --> 00:35:08,840 Praying to the sound of this drum 343 00:35:10,160 --> 00:35:14,160 Praying, praying, never alone 344 00:35:29,080 --> 00:35:32,880 Never alone, you come and go 345 00:35:33,760 --> 00:35:37,960 Making a promise for a wound 346 00:35:38,480 --> 00:35:42,720 For a wound that has to heal 347 00:35:47,880 --> 00:35:52,400 war and hunger 348 00:35:52,480 --> 00:35:56,720 There are doubts, melancholy 349 00:35:56,800 --> 00:36:00,720 It's your fear, it's my fear 350 00:36:06,560 --> 00:36:10,280 Mam� Schiavona, Turks and Moroccans 351 00:36:10,960 --> 00:36:15,560 Blacks, children of war, clandestine 352 00:36:15,640 --> 00:36:19,360 Bosses, lions, workers 353 00:36:20,160 --> 00:36:24,520 All huddled under the same moon 354 00:36:33,840 --> 00:36:38,280 Our Black Lady 355 00:36:38,360 --> 00:36:42,800 Praying to the sound of this drum 356 00:36:42,880 --> 00:36:47,280 Praying, praying, never alone 357 00:36:47,360 --> 00:36:51,000 Praying, praying 358 00:36:51,080 --> 00:36:53,800 Never alone 359 00:37:09,440 --> 00:37:12,280 Our Black Lady 360 00:37:14,240 --> 00:37:17,800 Perfect. Falanghina wine for everyone! 361 00:37:29,400 --> 00:37:32,520 Lemon balm 362 00:37:33,760 --> 00:37:36,680 How beautiful 363 00:37:36,760 --> 00:37:40,360 the one who can sing 364 00:37:46,560 --> 00:37:51,360 How beautiful lemon balm is 365 00:37:55,960 --> 00:37:59,280 It's beautiful for whoever sings it 366 00:37:59,360 --> 00:38:04,400 And for those who hear it 367 00:38:07,760 --> 00:38:11,960 Always lemon balm 368 00:38:17,400 --> 00:38:21,880 When I'm with four or five friends 369 00:38:22,440 --> 00:38:25,880 Near the clock bridge 370 00:38:25,960 --> 00:38:29,160 When it's night, it's dawn here 371 00:38:29,240 --> 00:38:33,480 It's true we had fun 372 00:38:33,560 --> 00:38:39,120 We had fun... 373 00:38:40,400 --> 00:38:45,400 "Erva-cidreira" was sung 374 00:38:46,560 --> 00:38:48,880 in trattorias. 375 00:38:50,480 --> 00:38:52,280 Therefore... 376 00:38:54,160 --> 00:38:59,320 People didn't go out to dinner, 377 00:38:59,400 --> 00:39:02,280 they went there to drink a glass of wine and a piece of cod. 378 00:39:02,360 --> 00:39:05,520 After eating and drinking, they sang "Erva-cidreira". 379 00:39:06,560 --> 00:39:11,280 And if someone didn't sing, 380 00:39:11,360 --> 00:39:13,560 ended up in a fight. 381 00:39:13,640 --> 00:39:16,280 Uncle Giannino, why do they call him "slurred corner"? 382 00:39:16,360 --> 00:39:21,600 Didn't you hear how he was dragged? 383 00:39:21,680 --> 00:39:26,320 On the other hand, the tammurriata is more rhythmic. 384 00:39:26,400 --> 00:39:29,640 The dragged corner is dragged. 385 00:39:32,960 --> 00:39:36,160 My love, give me the p� 386 00:39:38,960 --> 00:39:41,880 Let's rent a cart To go to Via Tavani 387 00:39:41,960 --> 00:39:45,480 And when we are On the São Miguel bridge 388 00:39:48,040 --> 00:39:51,640 The wagon breaks down And we rolled down the hill to Nola 389 00:39:51,720 --> 00:39:54,680 The brakes break And we'll end up at sea 390 00:39:54,760 --> 00:39:57,720 Virgin Mary, it looked like a garden 391 00:39:57,800 --> 00:40:00,800 And the fish came to greet me 392 00:40:03,640 --> 00:40:07,040 And the fish came to greet me 393 00:40:07,120 --> 00:40:09,840 And they loved my little doll 394 00:40:09,920 --> 00:40:13,320 And I'm there at the bottom 395 00:40:14,520 --> 00:40:18,320 Deep under the sea 396 00:40:27,120 --> 00:40:29,040 Well done, bravo! 397 00:40:49,080 --> 00:40:50,320 Can we save it? 398 00:40:50,400 --> 00:40:51,600 The acoustics here are good. 399 00:40:51,680 --> 00:40:53,920 - Yes, it has reverb. - I hear you. 400 00:40:58,400 --> 00:41:01,840 Guys, let's start so she can hear it. 401 00:41:04,040 --> 00:41:07,680 No. The second part. 402 00:41:10,720 --> 00:41:12,840 Yes. 403 00:41:12,920 --> 00:41:15,480 - Part of your... to do... - After the saxophone. 404 00:41:48,640 --> 00:41:52,720 How high the stars in Bethlehem 405 00:41:52,800 --> 00:41:54,200 How high the stars fly 406 00:41:58,040 --> 00:42:01,040 And how the windows are smoked 407 00:42:02,840 --> 00:42:05,280 These closed windows 408 00:42:06,920 --> 00:42:09,120 And sing, sing, sing 409 00:42:09,200 --> 00:42:11,600 Sing with the drum 410 00:42:11,680 --> 00:42:14,000 And sing, sing, sing 411 00:42:14,080 --> 00:42:17,560 Sing Palestine, sing hope 412 00:42:18,720 --> 00:42:22,280 Who lives with hope Don't die in despair 413 00:42:24,640 --> 00:42:26,640 Sing Palestine 414 00:42:26,720 --> 00:42:29,240 It's a beautiful day here in Palestine 415 00:42:29,320 --> 00:42:31,520 And we see the face of someone dear 416 00:42:31,600 --> 00:42:34,280 And there's a new song 417 00:42:34,360 --> 00:42:36,400 And there is a beautiful flute 418 00:42:36,480 --> 00:42:39,680 To give a smile to mother and child 419 00:42:39,760 --> 00:42:42,280 And we're all here to sing 420 00:43:04,440 --> 00:43:08,360 How wet they are The flowers tonight 421 00:43:09,080 --> 00:43:13,960 ACTIVIST FOR PEACE 422 00:43:14,040 --> 00:43:18,120 The sun and moon mix colors 423 00:43:23,120 --> 00:43:25,400 And sing, sing, sing 424 00:43:25,480 --> 00:43:27,840 - We sing with the drum - We sing for Vittorio 425 00:43:27,920 --> 00:43:30,120 - We sing hope - We sing for freedom 426 00:43:30,200 --> 00:43:34,960 Who lives with hope Don't die in despair 427 00:43:35,040 --> 00:43:38,360 Sing for Palestine, sing for Vittorio 428 00:43:38,440 --> 00:43:40,800 Sing, Enzo. 429 00:43:43,040 --> 00:43:45,440 And there's a new song 430 00:43:45,520 --> 00:43:47,840 And there is a beautiful flute 431 00:43:47,920 --> 00:43:49,960 To give a smile to mother and child 432 00:43:50,040 --> 00:43:52,800 And we're all here to sing 433 00:43:52,880 --> 00:43:54,600 We sing for life 434 00:43:54,680 --> 00:43:57,880 We sing for freedom 435 00:43:57,960 --> 00:44:00,680 Together we light the path of life 436 00:44:39,080 --> 00:44:41,360 And sing, sing, sing 437 00:44:41,440 --> 00:44:42,920 Sing for Vittorio 438 00:44:43,920 --> 00:44:45,360 And sing, sing, sing 439 00:44:46,240 --> 00:44:47,680 Sing Palestine 440 00:44:48,360 --> 00:44:50,200 We sing hope 441 00:44:50,960 --> 00:44:52,440 Who lives with hope 442 00:44:53,120 --> 00:44:54,920 Don't die in despair 443 00:44:56,120 --> 00:44:58,360 Sing Palestine 444 00:45:00,600 --> 00:45:02,160 Sing Palestine 445 00:45:05,160 --> 00:45:07,360 Sing, sing, sing 446 00:45:07,440 --> 00:45:08,680 Sing, Enzo! 447 00:45:09,360 --> 00:45:12,680 For Vittorio, for Palestine, for me, for you, for us, for the world. 448 00:45:13,240 --> 00:45:18,520 We love you, Vittorio. We love to sing for life. 449 00:45:54,320 --> 00:45:57,480 This piece is called "When Vesvio Went Mad". 450 00:45:59,360 --> 00:46:02,120 Talk about Roman Naples, 451 00:46:02,200 --> 00:46:05,040 installed in the ports of Baia and Capo Miseno. 452 00:46:09,880 --> 00:46:13,720 Pliny the Younger talks about when his uncle, Pliny the Elder 453 00:46:13,800 --> 00:46:18,000 saw a strange phenomenon from the hill at Capo Miseno. 454 00:46:18,080 --> 00:46:22,840 He saw a black and white cloud spreading 455 00:46:22,920 --> 00:46:27,640 and set sail to see what it was. 456 00:46:27,720 --> 00:46:31,480 The story tells of the uncle's journey, Pliny the Elder. 457 00:46:31,560 --> 00:46:34,240 It gives you an idea of ​​the first one. 458 00:46:35,640 --> 00:46:39,960 He arrives there, stays as a guest at Pomponiano's house. 459 00:46:40,040 --> 00:46:44,160 In fact, they are unaware of the event, are eating, 460 00:46:44,240 --> 00:46:49,320 then they feel the smoke and the smell of sulfur bothers them. 461 00:46:49,400 --> 00:46:53,840 Go close to the sea, where they suffocate to death. 462 00:46:53,920 --> 00:46:57,200 In fact, from the description 463 00:46:57,280 --> 00:47:01,840 of the journey of Pliny the Elder to Castellammare, 464 00:47:01,920 --> 00:47:06,760 Pliny the Younger is speaking of one of the first eruptions 465 00:47:06,840 --> 00:47:09,200 of Vesvio, in 79 AD. 466 00:47:20,680 --> 00:47:22,120 My uncle in Miseno 467 00:47:22,200 --> 00:47:24,480 Commanded fleets and legions 468 00:47:25,240 --> 00:47:27,360 That day, my mother 469 00:47:27,440 --> 00:47:29,440 See a giant cloud 470 00:47:31,320 --> 00:47:33,840 Big like a mountain 471 00:47:33,920 --> 00:47:35,920 Like a pine tree 472 00:47:36,440 --> 00:47:38,360 That opens its branches 473 00:47:38,440 --> 00:47:40,640 The sea was a garden 474 00:47:41,880 --> 00:47:44,320 A sunbath Then, a cold water bath 475 00:47:44,400 --> 00:47:46,440 Give me my sandals, I want to go out 476 00:47:47,120 --> 00:47:50,120 What's going on, can you tell me 477 00:47:52,440 --> 00:47:55,040 Prepare my liburnian to set sail 478 00:47:55,120 --> 00:47:57,640 This is a letter from a friend 479 00:47:57,720 --> 00:48:02,160 For those who live there You can only go out by boat 480 00:48:03,000 --> 00:48:05,360 White cloud 481 00:48:05,440 --> 00:48:07,240 Dirty Cloud 482 00:48:08,120 --> 00:48:10,400 Earth cloud 483 00:48:10,480 --> 00:48:12,920 Who is not knocking on the door 484 00:48:13,720 --> 00:48:15,960 Rock Cloud 485 00:48:16,040 --> 00:48:18,760 Fire cloud 486 00:48:18,840 --> 00:48:21,160 Ash cloud 487 00:48:21,240 --> 00:48:23,240 Crooked Cloud 488 00:48:46,120 --> 00:48:47,800 And they waited with open arms 489 00:48:48,920 --> 00:48:51,400 Like the wind 490 00:48:51,480 --> 00:48:54,720 And they sat down at the table With the wrath of God upon them 491 00:48:56,920 --> 00:48:59,680 After eating and drinking 492 00:48:59,760 --> 00:49:02,360 With pillows on the heads 493 00:49:02,440 --> 00:49:06,840 Things rained from the sky And the earth shook in the sea 494 00:49:07,440 --> 00:49:10,200 And then the smell of sulfur 495 00:49:10,280 --> 00:49:13,000 It said the fire was approaching 496 00:49:13,080 --> 00:49:16,720 And slowly the life left him 497 00:49:18,320 --> 00:49:21,040 He spread out a cloak 498 00:49:21,120 --> 00:49:23,680 A sip of the tired moon 499 00:49:23,760 --> 00:49:27,360 And caressing the water He fell asleep forever 500 00:50:34,240 --> 00:50:36,240 From the letter of Pliny the Younger 501 00:50:36,320 --> 00:50:38,480 who wrote to Tacitus about his uncle. 502 00:50:38,560 --> 00:50:43,440 Herculaneum, Pompeii, "When Vesvio Went Mad". 503 00:51:24,640 --> 00:51:26,680 Hello. 504 00:51:34,120 --> 00:51:36,200 This is my crowd. 505 00:51:36,280 --> 00:51:41,080 Gabriele and Gerardo are my friends since I was four years old. 506 00:51:41,160 --> 00:51:42,880 Tonino, come here. 507 00:51:42,960 --> 00:51:45,680 - Are my things safe in the car? - Yes. 508 00:51:46,480 --> 00:51:48,920 Why? What happens here? 509 00:51:49,760 --> 00:51:50,960 I have to play later. 510 00:51:56,680 --> 00:51:59,320 - Enzo, Father Nappo. - Father Nappo. 511 00:52:03,280 --> 00:52:06,200 - It's our Monsignor. - Monsignor! 512 00:52:07,480 --> 00:52:11,200 - Get out of the way! - There was a jukebox here. 513 00:52:11,280 --> 00:52:14,080 They held dance competitions. 514 00:52:16,080 --> 00:52:18,400 Men danced with other men. 515 00:52:18,480 --> 00:52:22,840 They danced rock and roll and the new psychedelic music. 516 00:52:24,480 --> 00:52:26,360 Rita! 517 00:52:26,440 --> 00:52:30,240 - Your coffee is bomb! - Is it good? 518 00:52:30,320 --> 00:52:31,760 FROM THE PEOPLE OF THIS NEIGHBORHOOD 519 00:52:31,840 --> 00:52:33,760 TO CITIZEN S. ALFONSO M. DE LIGUORI 520 00:52:33,840 --> 00:52:35,760 BORN IN MARIANELLA 300 YEARS AGO 27-9-1996 521 00:52:37,480 --> 00:52:39,400 They're filming us. 522 00:52:39,480 --> 00:52:42,800 - Of course, we are beautiful! - Don't come closer! 523 00:52:42,880 --> 00:52:45,480 Her mother was an actress. 524 00:52:46,400 --> 00:52:48,320 She liked it, I didn't. 525 00:52:48,880 --> 00:52:51,120 Didn't they say hello to Enzo? 526 00:52:51,200 --> 00:52:53,760 Of course we said it. It was a pleasure. 527 00:52:53,840 --> 00:52:56,880 - Where is Ciro Piazza? - Why? Was he coming too? 528 00:52:56,960 --> 00:52:58,160 I don't know. 529 00:53:05,240 --> 00:53:07,240 - I don't dream about it. - You see? 530 00:53:14,920 --> 00:53:18,280 This is my... home. And Marianna. 531 00:53:20,520 --> 00:53:22,560 I studied here. 532 00:53:22,640 --> 00:53:25,440 My private studio. 533 00:53:26,680 --> 00:53:29,040 - Do you study music? - No. 534 00:53:29,120 --> 00:53:30,640 I studied saxophone. 535 00:53:32,920 --> 00:53:37,120 - She's the one coming down. - I have to get ready, I'm old. 536 00:53:41,840 --> 00:53:43,920 I have to get ready. 537 00:53:45,360 --> 00:53:48,880 I turn 83 in March. 538 00:53:48,960 --> 00:53:53,720 I have to get ready. How can they photograph me? 539 00:53:53,800 --> 00:53:56,880 Wait, I'll get the photograph. 540 00:53:56,960 --> 00:54:00,280 The photography. 541 00:54:00,360 --> 00:54:03,360 Explain to her, she's not ready. 542 00:54:07,080 --> 00:54:11,280 - How do we get down from here? - By the elevator! 543 00:54:12,200 --> 00:54:13,640 Get off! 544 00:54:16,680 --> 00:54:20,080 I studied here between eight and ten hours. 545 00:54:21,160 --> 00:54:23,840 As the sewers ran down here, 546 00:54:24,680 --> 00:54:29,200 my clothes were all damp and with that smell. 547 00:54:29,280 --> 00:54:32,800 So before you go up, I had to change my clothes 548 00:54:32,880 --> 00:54:37,240 and take a shower or they wouldn't let me in. 549 00:54:37,320 --> 00:54:40,120 I had two options. 550 00:54:40,680 --> 00:54:45,400 I could be a musician or fix sewers. 551 00:54:45,480 --> 00:54:48,480 The saxophone is also a tube... I was better this way. 552 00:54:48,560 --> 00:54:52,960 Enzo played in this square. Look at this pearl! 553 00:54:54,880 --> 00:54:58,400 The lady is all dressed up! 554 00:54:58,480 --> 00:55:02,240 I was a doll, now I'm an old woman. 555 00:55:02,320 --> 00:55:05,400 Look what I brought you. 556 00:55:05,480 --> 00:55:09,480 Look at Enzo and Carletto. 557 00:55:09,560 --> 00:55:11,720 Carletto is this one. 558 00:55:11,800 --> 00:55:14,200 My son, my daughter, 559 00:55:14,760 --> 00:55:16,680 and then Enzo and Carletto. 560 00:55:16,760 --> 00:55:19,960 - And my nephew, Enzo Mulo. - The bastard! 561 00:55:21,720 --> 00:55:23,320 I wanted to call you. 562 00:55:25,080 --> 00:55:28,080 Carletto, have you seen this? 563 00:55:28,160 --> 00:55:32,040 What a turn. They walked around here, they never fought. 564 00:55:32,120 --> 00:55:33,560 Of course! 565 00:55:33,640 --> 00:55:36,040 Their mother asked where they were. 566 00:55:36,120 --> 00:55:39,160 He played with my son. 567 00:55:39,240 --> 00:55:42,400 It was Ciro who put me the instrument in hand. 568 00:55:42,480 --> 00:55:45,400 I saved all the photos. 569 00:55:45,480 --> 00:55:47,800 He taught at my school. 570 00:55:47,880 --> 00:55:51,080 I was at the gym, he passed by and said: 571 00:55:51,160 --> 00:55:55,000 "What a coffee smell!" 572 00:55:55,080 --> 00:55:57,080 "Professor Avitabile, come here." 573 00:55:57,160 --> 00:56:00,280 "Dona Giuseppina, Why do you call me teacher? 574 00:56:00,360 --> 00:56:04,560 You raised me." "When we're alone, I call you Enzo, 575 00:56:04,640 --> 00:56:07,160 but in front of his colleagues and students, 576 00:56:07,240 --> 00:56:10,000 I will always call you teacher." 577 00:56:10,080 --> 00:56:13,760 - What an honor. Thanks. - Isn't it like that? 578 00:56:13,840 --> 00:56:17,240 Sometimes, when I made a cake, I called him. 579 00:56:19,240 --> 00:56:23,000 - And to Ciro. - And the director said... 580 00:56:23,080 --> 00:56:27,560 "What's with all this trust and kisses?" 581 00:56:27,640 --> 00:56:30,680 - Is it true or not? - That lady... 582 00:56:33,080 --> 00:56:35,240 Murad, give me the saxophone. 583 00:56:35,320 --> 00:56:38,480 - Do you want to play? - No. 584 00:56:39,360 --> 00:56:43,640 - What a joy Enzo Avitabile is here. - Anita, open it. 585 00:56:48,640 --> 00:56:50,560 Play! 586 00:58:05,680 --> 00:58:08,280 We're not going in. 587 00:58:14,360 --> 00:58:17,160 - I came to make noise. - How are you? 588 00:58:21,920 --> 00:58:23,960 I'm going down. 589 00:58:24,040 --> 00:58:26,360 - What are you doing here? - A movie. 590 00:58:37,360 --> 00:58:40,680 Gerardo, call Ciro. 591 00:59:50,160 --> 00:59:53,400 This was my studio. 592 00:59:53,480 --> 00:59:56,920 I studied here and then I went to Ciro’s house, 593 00:59:57,000 --> 00:59:59,600 by Ciro Piazza, a great musician. 594 00:59:59,680 --> 01:00:02,400 His family did a lot for me, for my music. 595 01:00:02,480 --> 01:00:05,440 His brother, Michelangelo, He's a great trumpet player. 596 01:00:10,000 --> 01:00:12,880 Fiorenza wants to see the stadium. 597 01:00:14,080 --> 01:00:17,480 Right now, There are paint cans everywhere. 598 01:00:22,480 --> 01:00:27,200 This house was mine, and there was a private studio down there. 599 01:00:27,280 --> 01:00:32,120 It wasn't very comfortable, but it was fantastic! I slept here 600 01:00:33,000 --> 01:00:35,680 and in the middle... 601 01:00:35,760 --> 01:00:38,480 I slept here, Carlo slept there 602 01:00:38,560 --> 01:00:42,600 and here in the middle there were my saxophones. 603 01:00:42,680 --> 01:00:44,760 My sister was here... 604 01:00:46,480 --> 01:00:50,080 And another brother here, Rino. 605 01:00:50,640 --> 01:00:53,640 The record player was here. 606 01:00:54,280 --> 01:00:57,200 I would play records and imitate. 607 01:00:57,280 --> 01:01:02,600 I was crazy about Charlie Parker, 608 01:01:02,680 --> 01:01:04,560 the Coltrane, all of them! 609 01:01:05,400 --> 01:01:09,120 Me, my saxophone and the saxophonists. 610 01:01:09,200 --> 01:01:12,240 For saxophonists, it's natural... 611 01:01:12,320 --> 01:01:14,920 I started with Sidney Bechet, 612 01:01:15,000 --> 01:01:17,920 I went from the clarinet to the saxophone, 613 01:01:18,000 --> 01:01:21,440 and I studied them all, Coleman Hawkins and Ben Webster. 614 01:01:22,240 --> 01:01:25,360 It is the eternal controversy in jazz, 615 01:01:25,440 --> 01:01:29,960 between lyricism and technicality, between expression and technique, 616 01:01:30,040 --> 01:01:32,840 until Miles, which was a crossroads. 617 01:01:32,920 --> 01:01:37,440 So, the less established artists who made the best bebop: 618 01:01:37,520 --> 01:01:41,080 Cannonball Adderley, Sam Rivers... 619 01:01:41,160 --> 01:01:42,920 ...Buddy Collette, all of them. 620 01:01:43,000 --> 01:01:45,880 Next, hard-bop with Coltrane, 621 01:01:45,960 --> 01:01:49,440 who was a great inventor of language. 622 01:01:49,520 --> 01:01:55,040 His second introspective phase was even more important. 623 01:01:57,720 --> 01:02:00,040 With Malcolm X's revolution 624 01:02:00,120 --> 01:02:04,480 and the return to Africanity, It's freedom of choice... 625 01:02:04,560 --> 01:02:09,360 Many became Muslims, and that was important. 626 01:02:09,440 --> 01:02:15,560 This type of route paved the way for the new sound, 627 01:02:15,640 --> 01:02:19,040 and Miles, Zawinul, Shorter, 628 01:02:19,120 --> 01:02:23,120 they opened up and they said that jazz is not jazz. 629 01:02:23,960 --> 01:02:27,680 Let's go beyond jazz in a return to pure music. 630 01:02:32,080 --> 01:02:36,280 It was good. Ciro was looking over here 631 01:02:36,360 --> 01:02:40,960 and said, "Come on up, let's have a lesson!" 632 01:02:42,080 --> 01:02:44,600 I was young, seven or eight years old. 633 01:02:44,680 --> 01:02:49,600 I would play every day. 634 01:02:54,600 --> 01:02:58,000 You taught me not to squeeze, but always maintain the same position 635 01:02:58,080 --> 01:03:00,200 and breathe correctly. 636 01:03:00,280 --> 01:03:02,760 Thank you for this advice. 637 01:03:02,840 --> 01:03:05,080 It was fundamental to get high grades. 638 01:03:29,560 --> 01:03:32,000 - Thanks. - I'm the one who thanks you. 639 01:04:03,960 --> 01:04:08,360 NPOLES MUSIC CONSERVATORY 640 01:04:23,280 --> 01:04:24,800 Today is a special day. 641 01:04:24,880 --> 01:04:27,600 I returned to the Conservatory "San Pietro to Maiella", 642 01:04:27,680 --> 01:04:29,680 a historic conservatory in Naples. 643 01:04:29,760 --> 01:04:32,200 I remember this room. 644 01:04:32,280 --> 01:04:35,320 Let's get in and go if the conductor had arrived. 645 01:04:35,400 --> 01:04:39,080 Sometimes we hope that hadn't arrived! 646 01:04:41,080 --> 01:04:45,880 If the play were difficult, We expected you to be late. 647 01:04:47,360 --> 01:04:50,240 This was our room. 648 01:04:54,080 --> 01:04:56,240 Lots of memories. 649 01:04:56,320 --> 01:04:59,000 Lots of notes! 650 01:04:59,600 --> 01:05:02,640 What did the Archduke say to Mozart? 651 01:05:02,720 --> 01:05:05,080 "Lots of notes, I say." 652 01:05:05,160 --> 01:05:09,680 Then he turned to Salieri and said: "Isn't that true, maestro?" 653 01:05:10,480 --> 01:05:13,200 The truth is that there are too many notes. 654 01:05:13,280 --> 01:05:16,160 Mozart's response was: 655 01:05:17,280 --> 01:05:20,800 "Tell me which ones are the most and I take them off." 656 01:05:20,880 --> 01:05:23,680 But there were too many notes here and a lot of suffering. 657 01:05:23,760 --> 01:05:26,280 Lots of notes and a lot of suffering. 658 01:05:30,880 --> 01:05:33,800 Maximum volume! 659 01:05:33,880 --> 01:05:36,640 Try playing. 660 01:05:43,720 --> 01:05:45,440 Sounds good! 661 01:05:48,280 --> 01:05:50,160 Low. 662 01:06:17,080 --> 01:06:19,480 Don Salvato, seen from above 663 01:06:19,560 --> 01:06:21,760 We must look ridiculous 664 01:06:21,840 --> 01:06:24,440 With so many veils in front of our eyes 665 01:06:24,520 --> 01:06:27,240 We, the children of this land Of this life 666 01:06:27,320 --> 01:06:29,920 We, who have spoken too often 667 01:06:30,000 --> 01:06:33,720 Even when they don't ask us 668 01:06:37,480 --> 01:06:39,920 We, full of problems and bad luck 669 01:06:40,000 --> 01:06:44,080 It seems like we're used to it 670 01:06:47,640 --> 01:06:50,480 Don Salvato, the trees cry 671 01:06:50,560 --> 01:06:53,080 The fruit rotted 672 01:06:53,160 --> 01:06:55,600 Poison, smoke and gray sky 673 01:06:55,680 --> 01:06:57,880 When your hand didn't come 674 01:06:57,960 --> 01:07:01,040 And then fear and naked flesh 675 01:07:01,120 --> 01:07:03,920 Among deserts of misery 676 01:07:08,080 --> 01:07:12,440 Carcasses, pigs and raw blood Dirty hands 677 01:07:12,520 --> 01:07:15,400 Hunger and thirst 678 01:07:18,880 --> 01:07:23,360 Don Salvato, what is the use of so much education 679 01:07:23,440 --> 01:07:26,440 All shoes get old 680 01:07:26,520 --> 01:07:28,440 If they don't die, they are spent 681 01:07:28,520 --> 01:07:31,680 And if we follow our heart No one will help us 682 01:07:31,760 --> 01:07:34,120 We are slaves to shame 683 01:07:34,200 --> 01:07:36,480 That makes us happy fools 684 01:07:36,560 --> 01:07:40,880 With a thorn in the heart Don Salvato 685 01:07:49,600 --> 01:07:51,520 Don Salvato, what's the point in believing 686 01:07:51,600 --> 01:07:54,680 In faith, hope and charity 687 01:07:54,760 --> 01:07:57,080 If our destiny is decided by you 688 01:07:57,160 --> 01:07:59,720 And we never got it right 689 01:07:59,800 --> 01:08:02,720 And the Arabs, the balconies 690 01:08:02,800 --> 01:08:06,560 Modern times or ancient times 691 01:08:10,280 --> 01:08:12,400 Don Salvato, be patient 692 01:08:12,480 --> 01:08:16,840 If we still don't understand anything 693 01:08:20,680 --> 01:08:24,720 Don Salvato, under his table When a breadcrumb falls 694 01:08:24,800 --> 01:08:28,160 A sip of your son's wine 695 01:08:28,240 --> 01:08:30,160 Blood and nails on your hands 696 01:08:30,240 --> 01:08:33,440 And if we follow our heart Let no one help us 697 01:08:33,520 --> 01:08:36,040 Shame on us slaves 698 01:08:36,120 --> 01:08:38,440 With this, let us all be happy again 699 01:08:38,520 --> 01:08:40,640 Com um espinho no cora��o 700 01:08:40,720 --> 01:08:42,320 Don Salvato 701 01:08:45,440 --> 01:08:47,840 Don Salvato 702 01:08:51,560 --> 01:08:54,280 Hail the true body 703 01:08:54,360 --> 01:08:58,200 Born of the Virgin Mary 704 01:08:58,280 --> 01:09:00,080 True pass 705 01:09:00,160 --> 01:09:04,720 Sacrificed on the cross for man 706 01:09:04,800 --> 01:09:07,320 Whose side is pierced 707 01:09:07,400 --> 01:09:11,920 The wave also flowed with blood 708 01:09:12,000 --> 01:09:15,480 Be prepared for us 709 01:09:16,240 --> 01:09:22,160 In the examination of death 710 01:09:36,080 --> 01:09:38,080 Let's move on to the structure. 711 01:09:40,080 --> 01:09:41,600 Prepared? I will count... 712 01:09:47,440 --> 01:09:49,360 Gianluigi, touch 713 01:10:01,080 --> 01:10:03,200 A star looks at the world 714 01:10:03,280 --> 01:10:05,400 And it is in the world that one gets lost 715 01:10:05,480 --> 01:10:07,480 A storm in the night 716 01:10:07,560 --> 01:10:09,560 Transforms into the sea 717 01:10:09,640 --> 01:10:11,840 And the water soaks the clothes 718 01:10:11,920 --> 01:10:13,840 And the cannons rust 719 01:10:13,920 --> 01:10:18,360 Desert snow, sand from Vesvio 720 01:10:18,440 --> 01:10:20,560 Hand in hand 721 01:10:20,640 --> 01:10:24,280 In this cold 722 01:10:24,360 --> 01:10:27,160 Wind that comes and goes 723 01:10:27,240 --> 01:10:29,160 Hand in hand 724 01:10:29,240 --> 01:10:32,920 Under a Zulu sky 725 01:10:33,000 --> 01:10:35,400 Wind forever, wind never again 726 01:10:52,880 --> 01:10:54,880 The whole world knows 727 01:10:54,960 --> 01:10:59,680 That only men come together To hold hands 728 01:11:01,400 --> 01:11:03,520 The whole world knows 729 01:11:03,600 --> 01:11:07,120 That men can come together 730 01:11:07,200 --> 01:11:09,920 To walk the path of peace 731 01:11:10,000 --> 01:11:13,600 Who does not know darkness Can't understand the light 732 01:11:13,680 --> 01:11:17,440 No one knows anyone Everyone is alone 733 01:11:26,640 --> 01:11:29,000 A star looks at the world 734 01:11:29,080 --> 01:11:31,000 And moves through the world 735 01:11:31,080 --> 01:11:34,960 And the silver herb turns to ice 736 01:11:35,640 --> 01:11:37,760 And the water hits the ships 737 01:11:37,840 --> 01:11:40,040 And rust the chains 738 01:11:40,120 --> 01:11:42,320 Bags with rope 739 01:11:42,400 --> 01:11:44,320 Fears of the past 740 01:11:44,400 --> 01:11:48,360 Hungry men and women They know poverty 741 01:11:49,080 --> 01:11:51,680 Because of the war 742 01:11:53,560 --> 01:11:57,840 My people are sick and suffer Why was he exiled? 743 01:11:57,920 --> 01:12:00,400 Let's think about it and stop 744 01:12:00,480 --> 01:12:02,520 This internecine war 745 01:12:02,600 --> 01:12:04,640 Hand in hand 746 01:12:04,720 --> 01:12:07,560 In this cold 747 01:12:08,640 --> 01:12:11,600 Wind that comes and goes 748 01:12:11,680 --> 01:12:13,800 Hand in hand 749 01:12:13,880 --> 01:12:17,400 Under a Zulu sky 750 01:12:17,480 --> 01:12:20,800 Wind forever, wind never again 751 01:13:17,920 --> 01:13:21,480 All men know That it is possible for us to live together 752 01:13:24,240 --> 01:13:27,360 All men know That it is possible for us to live together 753 01:13:29,280 --> 01:13:31,640 By hands 754 01:13:31,720 --> 01:13:32,880 Data 755 01:18:48,640 --> 01:18:53,120 Subtitles: Paulo Montes